Final Thoughts on Lost (Jillian)

As a writer, I find it difficult to articulate gut reactions without enough time to let my thoughts cook a bit. Hence, my belated notes on the end of Lost.

I'm not a mega-fan, who sifts and speculates on every mystery. The only way I could watch the final season unfold was to suspend questions and accept the enigmatic, sometimes ridiculously twisted, story presented to us. So, I won't speculate here. Lost ended well. It was by no means a perfectly-written or clearly rendered story, but I am impressed by its capacity for making viewers think... especially in an age where entertainment is for the most part easy and mindless. In watching this show, I had no idea what to expect from week to week, no idea what all the pieces were leading to. And, of course, there are far too many to recount here.

And even better, the writers of Lost do not answer all of the questions. They answer what is important by focusing on the characters in the richness of a flashback/flashforward/flashsideways story. Flash sideways in particular and the links between one's real life and the afterlife, those connections between characters that we thought were once lost but definitely are not (i.e. Claire and Charley, Sawyer and Juliette). And... death is not the end of all that we know; it isn't lonely; it isn't sad. It's the peaceful beginning of something new.

For these and many other things in the crazy saga that was Lost, I am completely satisfied. The mysteries live on. They will keep fans and viewers thinking for decades to come. Bravo!

Stories Since Last We Met (Jillian)

I am very much aware that the creative world has been active in the months we Daedalus writers have been silent. Silent yes, but not idle.

New Moon (sequel number 1 to Twilight) emerged with rousing fanfare in November; despite criticism, it remains true to its novel and I enjoyed it immensely. My love of Twilight cannot be shaken by grumpy people who can't see the deeper layers of a beautiful, albeit imperfect, story. It is arguably the most painful of the saga, but the world deepens and makes it bearable. The Volturi, particularly Aro (Michael Sheen), balanced ancient-ness, style and down-right creepiness - the art of inflicting terror through serenity.

Then there was Avatar. I have to admit, I approached it with some skepticism, and though I saw the ground-breaking film under uncomfortable circumstances (second row + 3D glasses = headache) it was an enjoyable experience. I might not agree with the more preachy aspects of the film - soldiers ready to plunder the native Na'vi's world - but James Cameron created a massive world and filled it… and put characters in the midst of the world who were ready to explore it, drink it in and become part of it. I am not completely convinced that 3D is the future of entertainment however. In most cases, it is an added layer of fluff to a film already saturated with computer effects… and it only works if you're sitting in the middle of the theatre.
January came and so did the "End of the Time." The string of Doctor Who Specials came to an appropriately exhilarating end, as Russell T. Davies, who-writer extraordinaire, and the magnificent David Tennant, fly on to other things. I will probably spend a full post expressing my love for this awesome episode, but for now, I must report that the tenth Doctor did not go out with a whimper, but with a bang. The Master was resurrected. The Time Lords schemed to reawaken. The Doctor agonized over the man who would "knock four times" and announce his death. It was an episode of raw emotion, exquisite sacrifice and long-awaited goodbyes to companions scattered out across the stars. Sung to sleep by Ood-song, a new Doctor was born. For now I will say that I am at peace with this end, that the chapter is complete, and I am looking forward to see what Series Five has to offer. But I am still raw, still finding myself reeling about the poetry and the grace and the connected (and unconnected dots) of "The End of Time". I think I will be for a long time, in a good way.

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Other events: I saw Lost last night, though I hadn't seen the previous two seasons, and had to make do with the re-cap episode. I have to admit, the story is interesting, but I see why I quit it after Charlie died; the story is severely out of balance between its questions and answers. I know; it seems to be the mode of Lost. One must be "lost", as well. But I don't like being jerked around indefinitely (which is why this final season is a godsend). I have been immersed in Doctor Who's season-long mysteries: Bad Wolf, Torchwood, Saxon, and "the stars are going out." Perhaps it has been easier with Who, because I trust an answer is actually there, thinly veiled in the cosmos. But is there an answer for the chaos that is Lost? Or will it diminish with only few stones unturned? I suppose there is no way to find out but to endure it for another season. Or perhaps I'll just watch Robin Hood instead. ;)

Speaking of Robin Hood, the third season finally came to DVD, and I am thrilled. Yes, a very important character died at the end of the second season (I won't say who in case you haven't seen it), but the show goes on… and characters are living in the aftermath. Jonas Armstrong is the perfect balance of boyish and broken. Richard Armitage gives Guy of Gisborn a conflicted soul. Keith Allen is hilarious as the evil, evil, EVIL Sheriff of Nottingham. Robin's gang is wonderful, and the right balance of brave and funny. Not to mention it reflects the 12th century in a very honest, creative way, even with modern undertones. I can't wait to see the fourth season!
So, that is Fall and Winter.